Video Footage from the Denver “Don’t Inject me” Protest and Rally for Medical Freedom Nov. 2009

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After Action Report at Free Republic

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Protect Yourself From Death By “Cytokine Storm,” Gross Criminal Negligence, and Murderous Official Malfeasance

By Dr. Leonard G. Horowitz

People worldwide now realize there is something foul brewing in the H1N1 swine flu vaccines, government prescribed drugs, and the mass media manufactured “emergency.” Iguarantee H1N1 will not kill you. What can and probably will if you don’t take this warning seriously, and act on it, is DEATH BY TOXIC SHOCK, resulting from an overwhelmed immune system, thanks to a combination of chemical and biological assaults, officials’ malfeasance, and gross criminal neglect of the deadliest, most common, naturally-remedied killer–the “cytokine storm.”

Since the normal seasonal flu is about 94% more deadly than the current H1N1 pandemic, it is not likely to kill you or especially healthy children and teens. So why are young people with most solid immune systems said to be most vulnerable to death from the “pandemic” flu?

Fueled by the imposed geopolitics and economics that triggered World War I, the 1918 Spanish Flu is estimated to have killed between 50-100 million people. Mostly young healthy victims, experts say, were vulnerable, as they are today, attributable to immune system hyper-stimulation called the cytokine storm.

Cytokines are blood messengers that act like hormones in your body enabling cells to communicate. Every cell is intelligent and knows what it needs to sustain itself. It does so by sending messages within and around itself to regulate everything much like your heartbeat is regulated by adrenalin and other chemicals that operate bio-energetically, passing messages electro-magnetically and bio-acoustically.

This life-sustaining system is naturally tuned like an orchestra by each hormone, cytokine, or “instrument” playing an important part in the symphony of your “living temple.” If one or more of these music makers suddenly decides to play solo, raising its volume unnaturally, or if suddenly a thousand trumpets were injected into the brass section, then every other instrument has to compensate by likewise playing, even screaming, louder to be heard. The noise becomes stressful and unbearable to the audience.”

Jenny Hatch

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